â
â
â
â
â
5
âThe fragments of a lifeââŠ
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that Iâve seen the world, âlo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, weâd only viewed rather straightforward movies of âgood and evil,â Westerners, and the like. Predictable endings. The director of â8 œ,â Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of oneâs life get all jumbled up in the brain. And he provided some takeaways that have long been with me.
I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are âfragmentsâ in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk AimĂ©e, who was the motive force behind the re-watching of it now. There is the âvirginalâ Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guidoâs flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wifeâŠ
âUpstairs when you are 40.â That was one of the big takeaways. Anselmi is having this male fantasy about his âharem,â all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the âstripperâ is now 40 and must go upstairs, the metaphor for being placed on the âdiscard pileâ for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip.
It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like âimpoverished poetic imagination,â âoverabundant symbols,â and, of course, âself-indulgent.â
I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published âThe Index of Forbidden Books,â (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated.
Anouk AimĂ©e is absolutely mesmerizing. She has been a âfragmentâ of my own life, ever since I viewed âA Man and a Womanâ in the â60âs. Again, she played opposite the equally formidable Jean-Louis Trintignant, of âZ,â âThree Colors, Red,â and so much else, fame. Far more relevantly, the two of them recently played in âThe Best Years of Our Lives,â again directed by Claude Lelouch. AimĂ©e is now a young 90. In her role as Anselmiâs wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies.
It struck to the core. Luisa is utterly fed up with Guidoâs philandering and constant lies. And Guido is suffering from âdirectorâs blockâ in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: âBut what can you say to strangers when you canât tell the truth to the one closest to youâŠâ.
The only problem is that Iâve felt that line was said in Ingmar Bergmanâs âScenes from a Marriage.â And maybe that line was ALSO said in Bergmanâs movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe AimĂ©e would also. 5-stars, plus for Felliniâs classic, formidable film.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 14, 2023